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But Gray can; for with the darkest colors, as Blue and Violet, and with the deep tones in general, it produces associations which enter into analogous harmonies, while with the brilliant colors PDF Google. Pictorial Composition and the Critical Judgment of Pictures. The Secret of the Old Masters ,. One eminent Italian restorer, who studied for years the secrets of the Old Masters in their paintings, claims to have found the same kind of glue size stain in Titian's work.
For obvious reasons this veil must dry quickly and thoroughly, sufficiently at any rate so it shall lie undisturbed as it is worked upon by the artist in his first painting PDF 5.
The Theory and Practice of Color ,. The physicist has demonstrated that the sun is the source of all Color, and has unlocked for us the secrets of the Solar Spectrum. The chemist has found in certain clays, in plant and animal life and in by-products of coal, various symbols and substitutes for Color which he calls pigment, and which he combines in wonderful ways to make our dyes, paints and inks. The artist-painter has made use of the chemist's formulae in the instrument which he uses to portray his interpretation of nature, his marvelous flights of imagination and the depth of his insight into the human heart.
But all three of these workers, indispensable as each one is to the growth and development of the world, have ignored the individual man and his needs. Young Artist's Assistant ; or, Elements of the fine arts, containing the principles of drawing, painting in general, crayon painting, oil painting, portrait painting, miniature painting, designing, coloring, engraving and Portrait Painting,. The Graphic Arts: A treatise on the varieties of drawing, painting, and engraving in comparison with each other and with nature. Truth, in these arts, is altogether subordinate. They do, no doubt, include and even require most extensive and subtle knowledge of natural truth, but it is only to avail themselves of it when it happens to be agreeable.
A highly cultivated artist knows twenty times as much about nature as the most accurate, matter-of-fact draughtsman, and yet the artist constantly sacrifices truth to composition. He sacrifices it, also, to the idealization of natural forms, to emphasis in lines, and to the concentration of natural light and shade and color. All these are necessary to the artist, because without them he cannot give that aesthetic pleasure Read Online.
A Primer of Art with Illustrations. Art is a word of very wide significance, and extremely difficult of definition; speaking broadly, art is a creative operation of the intelligence, it is the making of something either with a view to utility or pleasure—so that it falls naturally into two great divisions, each of which corresponds with one of these different ends, namely, the Useful Arts and the Fine Arts In two parts, —part 1. The Netherlandish school, which, in the previous periods, had greatly distinguished itself in the art of painting, This element manifested itself in the endeavour to express that spiritual meaning which these artists so strongly felt, through the medium of the forms of real life; rendering these forms with the utmost distinctness and truth of drawing, coloring, perspective, and light and shadow, and filling up the space with scenes from nature, or objects created by the hand of man, in which the smallest detail was carefully given.
The great importance of such a development of the realistic feeling in painting, which had never been sufficiently acknowledged Handbook of Painting Part 2. The German, Flemish, and Dutch schools. Based on the Handbook of Kuglee. Enlarged and for the Most Part Re-written by D. Into Parts. In every respect is this the finest equestrian portrait painted by Van Dyck, and indeed I may almost designate it as the finest existing. A smaller series of portraits, of the same time, show the mighty influence of Rubens even after Van Dyck's return from Italy.
But the then more mature painter knew how to combine the luminous coloring of his great master with a more truthful and refined observation of forms The Artist's Way of Working in the various handicrafts and arts of design, Vol 1. Throughout the later Middle Ages a sticky and glutinous material was used, as in distemper, which we sometimes call tempera. Distemper: painting with a sticky medium, or vehicle, as white of egg or the juice of fruits, but always something soluble in water, or capable of being thinned out with water.
They are of course only a few of the pairs that can be noticed. The tints situated between red and orange will have complements lying between greenish-blue and cyan-blue; those between orange and yellow, again, will find complements between cyan-blue and ultramarine-blue, etc. As before remarked, it is a good plan to copy the results with water-colors; this fixes the facts in the memory far better than mere momentary inspection.
By Rutherford J. Gettens and George L. Van Nostrand Co. This book is still in copyright and provided by Archive. This great book is also still being published, and the updated printed paperback book or the kindle version can be purchased at amazon: Painting Materials: A Short Encyclopedia Dover Art Instruction.
An encyclopedic collection of specialized data rather than just a handbook of art instruction". Preface Medium, Adhesives, and Film Substances Pigments and Inert Materials Solvents, Diluents, and Detergents Tools and Equipment Or get the tiff scans here. By Richard, M. All rights reserved. View PDF large file. On the palette we do not mix colors at all, but only pigments; to mix colors we must employ means of a very different nature.
Before, however, describing these methods, it may be well to call to mind a few instances in ordinary life, in which we have to deal, not with the mixture of pigments, but with that of colors Portrait and Figure Painting. Certainly the number of persons who deliberately choose a course of training that prepares them for painting from life is constantly increasing Handbook of Pictorial Art. Solid study of accurate form must come first, because it can be taught to any person : and when that is learnt may come the delight and excitement of colour ; power in which is incommunicable, and which, taken by itself, would be mere intoxication De Arte Graphica.
The Art of Painting. Neither is there any Man who is able to restore the Chromatic part, or Coloring, or to Painting, renew it to that point of Excellency to which it had been carried by Zeuxis And as this part, which we may call the utmost Perfection of Painting, is a deceiving Beauty, The Art of Painting google. The Theory and Practice of Color. The chemist has found in certain clays, in plant and animal life and in by-products of coal,various symbols and substitutes for Color which he calls pigment, and which he combines in wonderful ways to make our dyes, paints and inks.
The artist-painter has made use of the chemist's formulae in the instrument which he uses to portray his interpretation of nature, his marvelous flights of imagination and the depth of his insight into the human heart A Treatise on the Art of Painting, in all its branches; accompanied by seventy engraved plates, and exemplified by remarks on the paintings of the best masters, Volume 1.
The figures being brought thus far, retouch or finish them in this manner ; brush thinly over your figure some varnish mixed with a little light oker; then put on your main lights, scrumbling them softly and gently into this wet ground, as far as is necessary. For a child mix, under the varnish, a little vermillion ; some light oker for a man ; and somewhat less light oker for a woman. A Treatise on the Art of Painting, in all its branches; accompanied by seventy engraved plates, and exemplified by remarks on the paintings of the best masters, Volume 2.
We see that many, without difference, be the figure in full proportion, or in little, give the touches under the nose so black and dark, that it seems as if a black beetle were proceeding thence; whereas it is certain, and nature teaches it, that when the light falls strong on the nose, the nostrils and their ground-shades can never appear so black How to Paint Permanent Pictures. If the painter once knows, either mechanically or unconsciously, the pigments that are absolutely permanent, and the principle involved in producing paintings which will not crack, fade, darken, peel, blister or decompose, his or her mind can be taken up completely with the artistic effect to be produced To accomplish this design, it commences with the principles of Art, and proceeds regularly until it comprehends a, complete system of picturesque knowledge Dissolve cuttlefish bone as in the former process : and, to a pint of it add two ounces of alum dissolved in half a pint of water.
Put this mixture gradually to that of the cochineal and pearl-ashes Nothing is more vague than the ideas of most persons on what is beautiful; nor is it easy to propose regulations which shall produce beauty, though it is common for many persons to unite in opinion of what is not beautiful The Handmaid to the Arts. By pigments, it is meant all such solid bodies as require to be mixed with some fluid, as a vehicle, before they be used as paints, except in the case of crayons, where they are used dry. These make the far greatest part of the whole, the fluid colors being only a small number employed along with water colors and asphaltum, which is sometimes employed in oil painting.
Colors are distinguished into several kinds, according to the vehicles in which they are worked, as oil colours, water colors, enamel colors, etc. As the fame sorts of pigments, however, are, in many instances, employed in more than one kind of painting, as vermilion and lake in several, and ultramarine in all. Ladies' Manual of Art: or, Profit and pastime: a self teacher in all branches of decorative art, embracing every variety of painting and drawing on china, glass, velvet, canvas, paper and wood. A right understanding of these is absolutely necessary that we may become masters of that art which we undertake to learn.
A neglect of these first principles is the reason why so many who have spent time sufficient to become accomplished artists, are, after all their pains and loss of time, incapable of producing even fair artwork Gum water and white of egg, which are still employed for certain pieces of painting, were not perhaps neglected.
Being ill calculated, however, by their nature to resist the impression of moisture, and the washing rendered necessary in consequence of their being dirtied by insects, they could not be any security to artists that their works would be handed down unimpaired to posterity. The mixture of oils and resins, and that of resins with alcohol spirit of wine , which form real varnishes, are alone endowed with the valuable property of checking the ravages of time.
The line which appears to meet the sky is called the Horizontal Line, and must be as high up in the picture as the spectator's eye; for the one always determines the other. In drawing landscapes from nature, the height of this line is determined by the horizon itself; because, had you the transparent plane really set up to sketch on Volume 1.
It professes to trace the recorded practice of oil painting from its invention; and, by a comparison of authentic traditions with existing works, to point out some of the causes of that durability for which the earlier examples of the art are remarkable. It was considered that such an inquiry, if desirable on general grounds, must be especially so at a time when the best efforts of our artists are required for the permanent decoration..
See site info on downloading PDF pages and book. Volume 2. Maria Nuova, it is true, show that linseed oil was abundantly furnished to Domenico Veneziano during the period of his labours; but this proves nothing more than a use of that vehicle which Sir Charles Eastlake, in his first volume—chapters iii. Read Online Google Books. Colour: a Handbook of the Theory of Colour. Stocks, Such persons have considerable practical experience in the mixing and application of colours for various purposes — painting, dyeing and printing of textile fabrics, etc.
To such persons a knowledge of the theory of color its cause and production, and a succinct account of the phenomena which occur on mixing colors together in various ways, will be of interest. Teaching Methods for the Art of Japanese Painting. Anyone can paint what he sees - but only a true master can paint that scene in with emotive feeling. The artists paint what they feel, rather than what they see, but first they must see very distinctly.
Read PDF. Cyclopedia of Painting containing useful and valuable information on the following subjects : adulteration of paint, blistering of paint, brushes, calcimining, carriage painting, china painting, colors, color harmony, color mixing,color testing, exterior painting, gilding, graining, house painting, marbling, mildew, oils and driers, oil painting on glass, painting a bath tub, painting in distemper, paperhanger's tools, paperhanging, pigments, plain oil painting, primary colors, priming, scenic painting, sign painting, stains, staining, stencilling, turpentine, varnishes, varnishing, water color painting, when not to paint, practical points on painting, useful information.
All brushes, after being used, should be carefully cleaned. This is best effected by immersing the hair of the brushes in a little raw linseed oil, the oil should afterwards be washed out with soap and warm water, till the froth which is made by rubbing the brushes on the palm of the hand is perfectly colorless.
The brushes should next be rinsed in clean water, and the water pressed out by a clean towel. The hair should then be laid straight and smooth, and each brush restored to its proper shape, by passing it between the finger and thumb, before it is left to dry. Plain text. Read online. Delacroix, for teaching painting in oils and water-colors; translated from the 3d French ed. Hart] Published Cyclopedia of Painters and Paintings , Volume 1of 3;. View online. Drawings of Leonardo da Vinci,. Lewis Charles Lewis , Anne, it is an exaggeration to say that he would have been quite as highly esteemed had none of his work except the drawings been preserved John Singer Sargent - A Biography,.
Download in Daisy Format Only. The Life and Art of Albrecht Durer. The classic study of Durer,. Sketches of Great Painters. View Online. Rembrandt Van Rijn. This, is is hoped, has been done without seriously affecting the usefulness of the book. The story of the painters' life and work has been somewhat compressed Available in DjVu PDF 7. Great Artists, Vol 1. Raphael, Rubens, Murillo, and Durer.
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At last his dream was to be realized. A noble woman of Urbino gave him a letter to the Governor of Florence, expressing the wish that the young artist might be allowed to see all the art treasures of the city. EPUB with images. Kindle with images. A Text-Book of the History of Painting.
The first important records of this art are met with in Egypt; but before the Egyptian civilization the men of the early ages probably used color in ornamentation and decoration, and they certainly scratched the outlines of men and animals upon bone and slate.. Masters in art. Leonardo da Vinci. He stands alone among the painters of the Renaissance, by reason not only of the rare perfection of the high intellectual qualities of his art, but of the extraordinary influence which he exerted upon his contemporaries PDF 2.
The Art of Velasquez. His genius slumbered for two hundred years, till the sympathy of one or two great artists broke the spell and showed us the true enchanter of realism,,,". Raphael, the Prince of Art. The Grotesque in Church Art. THE term 'Grotesque,' which conveys to us an idea of humourous distortion or exaggeration, is simply grotto-esque, being literally the style of art found in the grottos or baths of the ancients.
The term rose towards the end of the fifteenth century, when exhumation brought to light the fantastic decorations of the more private apartments of the licentious Romans A Handbook of Legendary and Mythological Art. But later in its history, this art has been influenced by legends and doctrines in the choice of subjects, and these have been variously rendered, in accordance with the character, the aesthetic cultivation, and the refinement of the artist Leonardo da Vinci's note-books. This should be required reading in all schools. Read below, or the whole book, and be humbled by this man's brilliance!
For if you put on more clothes as the cold increases, it will have no power to hurt you. So in like manner you must grow in patience when you meet with great wrongs, and they will then be powerless to vex your mind. The American Drawing-Book: a manual for the amateur, and basis of study for the professional artist: especially adapted to the use of public and private schools, as well as home instruction.
Digital Library ;. It can only be opened on with a key issued by the Library of Congress: click here for details. The Elements of Drawing edition ,. EPUB Daisy unprotected. It is the earliest mode of expression among primitive peoples, as it is with the individual child, and it has been cultivated for its power of characterization and expression, and as an ultimate test of draughtsmanship, by the most accomplished artists of all time Pen Drawing - An Illustrated Treatise,.
In this medium, Nature's variety of color, when not positively ignored, is suggested by means of sharp black lines, of varying thickness, placed more or less closely together upon white paper; while natural form depends primarily for its representation upon arbitrary boundary lines EPUB with images 4. Kindle with images 8. Sketching and Rendering in Pencil. Download PDF The Art of Caricature. Augsburg's Drawing, Book 1.
A text book designed to teach drawing and color in the first, second and third grades. A text book of drawing designed for use in the fourth, fifth, sixth, seventh and eighth grades. A text book designed to teach brush drawing, wash drawing, water colors, pen drawing. The human head and figure, chalk modeling, designing and constructive drawing in the fourth, fifth, sixth, seventh and eighth grades.
Also the high schools". Augsburg's Drawing, Book 2. PDF 8. The New Augsburg's Drawing, Book 1. Some of the worst excesses and perversions of satiric art A Practical Hand-Book of Drawing for modern methods of reproduction. Every page shows robust common sense expressed in a clear style It has been made as brief as is consistent with clearness and complete' ness PDF 4. The Art Of Illustration. The Art of Illustration, Second Edition.
The illustrator of to-day is called upon suddenly to take the place of the wood engraver in interpreting tone into line PDF 9. Perspective for Art Students. Of course the solids do not necessarily occur lying flat on a horizontal surface, such as the ground. He, too, who would master sketching in perspective, must certainly be able to draw from imagination Practical Drawing: a book for the student and the general reader. Wouldn't it be just as simple as working from the flat if the student could let himself believe that the visual rays from all the points of the object, or the view, were brought forward to a supposed plane directly in front of him?
This plane with the object or view thus ideally outlined he would need merely to consider as a huge flat copy to be faithfully imitated The rules are few; but if carefully studied, they will be found applicable to every object occurring in ordinary experience Freehand Perspective and Sketching: principles and methods of expression in the pictorial representation of common objects, interiors, buildings, and landscapes.
Strictly speaking, there are but two foundation truths in perspective, namely Line : an Art Study. A short cut that the artist takes, while the mathematician goes round? Through and beyond lines, algebraic symbols, signs and formulae, it is the artist's trade The Art of Drawing in Lead Pencil. Many people now concede the claim that it is actually possible to suggest "a sense of color " in a "black and white" drawing, and it is hoped that the notes in Chapter IX may at least convey to the student those principles upon which the claim is based Drawing for Art Students and Illustrators.
This technical power or faculty, call it what we will, is not a conjuring trick, a mere sleight-of-hand to be learned as a series of "tips," but must be acquired, if at all, by severe training Handbook of Drawing. As the eye is the most important gateway of knowledge, so far as the physical world is concerned, it ought to receive great culture, even with only a utilitarian motive, for the time is rapidly approaching when drawing will demand its right place Trees and Tree Drawing;.
As the figure painter studies the nude that he may be able to paint the costumed figure, as he must know the figure within the clothes, so should the landscape painter study the naked tree in winter, that he may be able to paint it rightly in its summer dress of foliage The Sketcher's Manual or, The whole art of picture making reduced to the simplest principles. No good can come of such methods, for there are no short cuts to excellence.
To this the reply may be given—quoting from Leslie's ' Handbook to Young Painters — 'that it is of the greatest consequence if it enables him to see better what he copies. I do not claim to have discovered any new thing, either in the principles or possible applications of perspective science. But it has occurred to me, as I know it has occurred to many others with a similar experience in teaching drawing, that a book on perspective, which should be exhaustive enough to redeem the study from the contempt with which it is too often treated by artists — an estimate which is, to a considerable extent, justified by such presentations of it as are usually found in the "hand-books" and "text-books " in common use—and yet free, as far as possible, from the technical difficulties which the unscientific mind is pretty sure to encounter in the profounder treatises, might be of use.
When the author began to teach the elements of freehand drawing to technical students, and found it necessary to deal with the art of drawing associated with the principles of linear perspective, he was impressed with the fact that there was an unnecessary and undesirable antagonism between the two, which, when speaking of the one, required the other to be ignored, at the same time both had to be carried along side by side; the time seemed very long before the student might be permitted to view the mystery of why the one was dependent upon the other Elements of Pen and Ink Rendering rendering with pen and brush, elements of water-color rendering, rendering in water color, drawing from nature, the American Vignola.
These principles apply not only to pictorial representation, but to every kind of design. In general, composition involves three separate considerations — balance, rhythm, and harmony; and if work be executed in accordance with these principles it will result in a unity of effect that is satisfactory and restful, because all parts of the picture are consistently related to one another.
The most important of these is the time of day. To an outdoor painter—an expert examining the work of another expert—the hour-hand is written over every square inch of the canvas. He knows from the angle of the shadows just how high the sun was in the heavens, and he knows, too, from the local color of the shadows whether it is a silvery light of the morning, the glare of noontime, or the deepening golden glow of the afternoon. Anatomy of the Human Body. The Anatomy and Philosophy of Expression: as connected with the fine arts. A Handbook of Anatomy for Art Students.
As Professor Cleland has pointed out, gesture largely depends on the association of mental with physical conditions. Moral rectitude, as expressed in indignation, is associated with a straightening of the figure; mental depression is indicated by a lack of energy in the movements of the body. Human Anatomy for Art Students. It is, unfortunately, impossible to save the art student from the difficulties of the nomenclature employed in anatomy. Attempts made from time to time to simplify it have been found to impair the accuracy and clearness of the necessary descriptions The Artistic Anatomy of the Horse.
Edited and Amplified by A. Melville Paterson, M. THE average artist will answer this question by saying that it is a "tool of the trade. Many art teachers will agree with the academic artist. Others will hold that life drawing has a special, not a general, place in the scheme of art education and is, of course, necessary in certain fields, such as illustration, figure painting, portraiture, and costuming. The Art of Figure Drawing containing practical instructions for a course of study in this branch of art.
A requirement, which has long been felt, is now being supplied Cuthberet Engraved By J. And G. A Manual of Artistic Anatomy: for the use of sculptors, painters, and amateurs. From the time, indeed, that I first taught anatomy, or rather I ought to say, studied anatomical shapes, their import or signification, their relations to each other, and their artistic, philosophic, and utilitarian aspects, I felt convinced, instinctively as it were, that the true relation of anatomy to art, meaning Fine Art, had been misrepresented and misunderstood Artistic Anatomy of Animals.
The Human Machine ,. Constructive Anatomy ,. PDF 6. The Quick and the Dead: Artists and Anatomy. By Deanna Petherbridge, L. Only available to Read Online. Anatomical Auxiliary: A key for the study of the artistic anatomy. The Human Figure. A Guide to Figure Drawing with Illustrations.
At the same time the figure may be well drawn and its proportions may be correct and yet it may be wanting in expression or the animation necessary to convey the language of the mind. Advanced Imaging Magazine ,. Canadian Brushstroke Magazine. All images and editorial material in Canadian Brushstroke Magazine and are protected by copyright. Reproduction is strictly prohibited by law. Get a free subscription to this great Art tips e-magazine.
By the way, It's not just for Canadians. Decorative Painter Magazine,. In its early years, its content helped define the art form of decorative painting! Empty Easel,. All images and editorial material in are protected by copyright. The Aldine. These fragile periodicals are a rich source of images and text, which span the development of American visual culture and the evolving role of the artist and art audience within it.
PCI focuses on new technology and the research and development of the coatings industry. Subscribe Here. Plazm Magazine. Get in-depth coverage of the latest techniques and technologies to enhance your processes by subscribing today! We have chosen especially this license so we can allow authors to keep full copyrights after the publication but at the same time to be able to give access to their work as open as possible. It was especially created for the professionals of the Art Conservation field in order to create a more united community which shares information and knowledge.
The content of the magazine is based on the contribution of conservators and other specialists involved in the conservation of Cultural Heritage field. Download Current Issue or Achieved issues. Each issue is packed full of all the latest news, inspirational articles, competitions and step-by-step guides from all your favorite artists, PAINT magazine aims to give you the encouragement you need to try something new and develop your artistic streak.
Article reference Library. Read Online Recent Issue and Archives. Published monthly, keeping you in touch with the best of the contemporary art world, music, poetry and great analyses from independent critics. If you wish to get closer to the new art produced in the world you need Artwall!
No specialist knowledge is necessary to read our book reviews. They are written to inform, interest and entertain all our readers. Green: A book for the art lover who wants to know more about an artist, movement or period. Orange: A more detailed and scholarly account for undergraduate humanities students or those seeking a deeper level of understanding.
Red: A very scholarly, more technical book aimed at academics and postgraduate researchers. See the bars at the top of every book review. It contains the art history and relatives. Ali Saadat is the owner and creator of this magazine. Alongside her partner, Toshio Yamanaka, and their canine muse, Candy, Sarah Swash has been creating their heavily patterned, carefully curated line for nearly a decade.
Creating such visual brand, do you consider yourself an artist or a designer first? Yes, a designer first, definitely. And your aesthetic is very graphical; does anything particularly inspire your prints? Each season, we have numerous influences that go into the prints Grafik The Magazine for Graphic Design. The magazine champions innovative and inspiring work by designers, illustrators and photographers, from established names to upcoming talent.
With connections throughout graphic design communities around the world, Grafik gets to the heart of the ideas, trends and technologies that are informing contemporary design. She is the author of three novels and she also writes scripts and comedy series for BBC Radio 4. Lynne Truss lives in Brighton. Israel: WTF? Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an antiviolence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her.
Eve Ensler is a Tony Award—winning playwright, author, performer, and activist. Her international phenomenon The Vagina Monologues has been published in 48 languages and performed in more than countries. She is founder of V-Day, the global activist movement to end violence against women and girls, and One Billion Rising, the largest global mass action to end gender-based violence in over countries.
Denis Mukwege. In, like, 10 minutes or less?
The Color of Art: Free Artist Reference Books and eBooks
As the head of the New Israel Fund, which is dedicated to equality and democracy for all Israelis not just Jews , Sokatch is supremely well-versed on the Israeli conflict. As Sokatch asks, is there any other topic about which so many educated people express such passionately held convictions, and about which they actually know so little?
Easy-to-read yet fiercely penetrating and original, Israel: WTF? Sokatch is the Chief Executive Officer of the New Israel Fund, the leading organization committed to equality and democracy for all Israelis not just Jews. He lives in San Francisco. Not anymore buddy. Nailed it. But what do you do when you keep winning your battles? Well, you pick new ones, of course. Ours is a society where many get by on provocation, the tactless but effective tool of pedalling outrage — and we all too quickly take the bait.
If outrage has become abundant, activism has definitely become subdued. Or are we simply pretending to be bothered? There is still much to be outraged by in our final frontier — the gender pay gap, racial bias, gun control — but in order to enact change, we must learn to channel our responses. Passionate, funny and unrelentingly wise, this is the essential guide to living through the age of outrage. She is the first solo female to host 1Xtra Breakfast. Under her rap alias Amplify Dot, she made British music history as the first female MC to sign a major label album deal.
She lives in London. Creation: A History of Art from the Beginning is a history of art for the twenty-first century. It tells the extraordinary story of how people all over the globe, from prehistory to the present day, have created images in order to understand the world they inhabit. With clarity and concision, it explores the remarkable endurance of this creative impulse, and by tracing the diversity of artistic forms through the ages, it offers a comprehensive and exhilarating introduction to world art.
Distinguished critic and curator John-Paul Stonard has assembled a dazzling array of paintings, sculptures and artefacts to tell a story of vitality and renewal. Each chapter allows intimate access to key works of art and the conversations surrounding them, from the earliest cave paintings of the Palaeolithic Era to the conceptual art of today. But it also expands the horizons of E. John-Paul Stonard not only explores the achievements of Western European art, but surveys them in relation to the interconnected traditions of world art, from the masterpieces of Shang Dynasty China and of Africa, to those of the Mughal Empire and Edo Period Japan.
This captivating work takes a searching look at the evolving legacies of the past and casts a cold eye on our own unstable vantage point. John-Paul Stonard is a writer, art historian and member of the consultative committee of the Burlington Magazine, where he worked as an editor from to He completed a PhD at the Courtauld Institute of Art in , and has published widely in the fields of modern and contemporary art.
Dotted across homes in Britain are people who were witnesses to one of the most tumultuous events of the twentieth century. He remained silent — like so many — about the horrors he had seen for seventy years. With empathy, nuance and humanity, Puri weaves a breath-taking tapestry of human experience over a period of seven decades that trembles with life; an epic of ruptured families and friendships, extraordinary journeys and daring rescue missions that reverberates with pain, loss and compassion.
The division of the Indian subcontinent happened far away, but it is a very British story. Many of those affected by Partition are now part of the fabric of British contemporary life, but their lives continue to be touched by this traumatic event. Kavita Puri is an award-winning journalist and radio broadcaster. Prior to this, she worked at Newsnight. She studied Law at Cambridge University. In his most ambitious book to date, bestselling historian William Dalrymple tells the untold story of the East India Company and one of the most supreme acts of corporate violence in world history.
In August the East India Company defeated the young Mughal emperor and set up, in his place, a government run by English traders who collected taxes through means of a private army.
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The creation of this new government marked the moment that the East India Company ceased to be a conventional trading company, dealing in silks and spices, and became something much more unusual: an international corporation and an aggressive colonial power. In less than half a century it had trained up a private security force of around , men — twice the size of the British army — and had subdued an entire subcontinent, conquering Bengal and later the Mughal capital Delhi.
In his most ambitious and thrilling book to date, William Dalrymple tells the story of the East India Company as it has never been told before, unfolding a timely cautionary tale of the first global corporate power — and the violence and corruption that have reverberated across a continent for generations. William Dalrymple wrote the highly acclaimed bestseller In Xanadu when he was just twenty-two.
He lives with his wife and three children on a farm outside Delhi. David Eimer journeys to the heart of Burma and out to its unexplored vistas, bringing to vivid life all its riches and complexities. For almost fifty years Burma was ruled by a paranoid military dictatorship and isolated from the outside world. A historic election swept an Aung San Suu Kyi-led civilian government to power and was supposed to usher in a new golden era of democracy and progress, but Burma remains unstable and undeveloped, a little-understood country.
Nothing is straightforward in this captivating land that is home to a combustible mix of races, religions and resources. A Savage Dreamland: Journeys in Burma reveals a country where temples take priority over infrastructure, fortune tellers thrive and golf courses are carved out of war zones. Setting out from Yangon, the old capital, David Eimer travels throughout this enigmatic nation, from the tropical south to the Burmese Himalayas in the far north, via the Buddhist-centric heartland and the jungles and mountains where rebel armies fight for autonomy in the longest-running civil wars in recent history.
Layers of history are unfurled and innumerable stories are woven together to create a sensitive and revelatory portrait of this most mysterious of countries. Authoritative and ground-breaking, A Savage Dreamland: Journeys in Burma is set to be a modern classic of travel writing. He is currently based in Bangkok. While there are many different kinds of music in the world — and there may not be one single musical language — there is something irreducibly human about all the music of the earth.
At the heart of The Musical Human is the simple Darwinian notion that human and animal communication are continuous with each other: human music is a species memory, an umbilical cord back to Mother Nature. This, then, is a history that goes deeper. There are many books on the history of music that describe successive styles and the works of famous composers. Others set out to describe the anthropology of music, and the variety of musical cultures. And there have been several recently that speculate on the evolutionary origins of music, as well as music science books that look at how the human brain responds to music.
In this deftly woven narrative spanning cultures, time and space, celebrated musicologist Michael Spitzer embraces all of these themes in one comprehensive work. Beautiful, sensitive, deeply learned but vivacious, The Musical Human is essential reading for anyone who has ever reflected on why music is such a significant and fundamental part of our lives.
A music theorist and musicologist, he is an authority on Beethoven, with interests in aesthetics and critical theory, metaphor, and music and emotion. A revised and updated edition of the internationally bestselling classic. It is the story of a flower that has made men mad. Greed, desire, anguish, devotion have all played their part in the development of the tulip into a worldwide phenomenon.
No other flower carries so much baggage; it charts political upheavals, illuminates social behavior, mirrors economic booms and busts, plots the ebb and flow of religious persecution. Why did the tulip dominate so many lives through so many centuries in so many countries? Anna Pavord, a self-confessed tulipomaniac, spent six years looking for answers, roaming through Asia, India, and the Ottoman Empire to tell how a humble wildflower of the Asian steppes made its way to Turkey and from there took the whole of Western Europe by storm.
Sumptuously illustrated from a wide range of sources, this irresistible volume has become a bible, a unique source book, a universal gift book and a joy to all who possess it. This beautifully redesigned edition features a new Preface by the author, a completely revised listing of the best varieties of this incomparable flower to choose for your garden and a reorganized new listing of tulip species, to reflect the latest thinking by taxonomists.
Her column in the Independent newspaper appeared in it from its launch in to its closure in For the last thirty years she has lived in Dorset, England. Blood Gun Money takes us into the shady world of gangster capitalism that stretches to all corners of the earth, but starts at gun shows in the United States. Through legal arms purchases along the US-Mexican border, gun runners have access to thousands of weapons, which they drive across the border into Mexico by the carload.
This trade provides most of the guns used by criminals and terrorists, both within the United States and abroad. Ioan Grillo follows how this network provides weapons to narco cartels that have drowned Mexico in blood, gangbangers who litter corpses on the streets of American inner cities, and terrorists who unleash massacres from Texas to Norway to Syria. Blood Gun Money is a necessary portrait of the illegal arms trade around the worldand a call to consider how people and governments can reduce the murders this system enables.
A native of Britain, Grillo lives in Mexico City. First: imagine your own death. Un-American poses these startling circumstances in a searing examination of America and Americans at war. Erik Edstrom grew up in suburban Massachusetts with an idealistic desire to make an impact, ultimately leading him to the gates of West Point.
Five years later, he was deployed to Afghanistan as an infantry lieutenant. Throughout his military career, he confronted atrocities, buried his friends, wrestled with depression, and struggled with an understanding that the war he fought in, and the youth he traded to prepare for it, was in contribution to a bitter truth: The War on Terror is not just a tragedy, but a crime. The deeper tragedy is that our country lacks the courage and conviction to say so. Erik Edstrom graduated near the top of his class at West Point in After his military service he received degrees from Oxford University in Business and Environmental Studies.
He lives in Australia. For the next three hundred years, thousands of proud Spanish conquistadors and their largely forgotten Mexican allies went in search of glory and riches from Florida to California. Many died, few triumphed. Some were cruel, some were curious, some were kind. Missionaries and priests yearned to harvest Indian souls for God through baptism and Christian teaching. Theirs was a frontier world which Spain struggled to control in the face of Indian resistance and competition from France, Britain, and finally the United States. In the s, Spain lost it all.
Goodwin tells this history through the lives of the people who made it happen and the literature and art with which they celebrated their successes and mourned their failures. He appears on Spanish radio and TV and writes for Spanish newspapers. He lives between London and Seville, where he regularly conducts archival research. For the fiftieth anniversary of the film, W.
When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed.
Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W. By , when the movie was filmed, the studio system that had perpetuated the myth of the valiant cowboy in movies like The Searchers had collapsed, and America was riled by Vietnam, race riots, and assassinations.
The Wild Bunch spoke to America in its moment, when war and senseless violence seemed to define both domestic and international life. The Wild Bunch is an authoritative history of the making of a movie and the era behind it. Stratton is the author of five books of nonfiction and three of poetry. He is a longtime resident of Austin, Texas. From the moment she entered the workplace, a powerful narrative of public and private disorder was woven around the working mother.
There were good mothers and there were working mothers. Helen McCarthy recovers and reconstructs what working mothers thought and felt and said about their lives, and what others thought and felt and said about them over a century and a half of social change. From the smoking chimney-stacks of mid nineteenth-century Manchester to the shimmering skyscrapers of present-day Canary Wharf, McCarthy reveals the deep and complicated past of a phenomenon so often assumed to be a product of contemporary lifestyles and aspirations.
She worked briefly for the think-tank Demos before embarking on doctoral studies at the University of London. His descriptions of his journeys and adventures - which took him to the Arctic and the Alps, throughout Africa, Australia and North America, and across every ocean in between - are full of insight, humour and exceptional evocations of place.
Until now, these captivating travelogues have never been gathered together. As a journalist, Lycett has contributed regularly to The Times, Sunday Times and many other newspapers and magazines. When Monisha Rajesh announced plans to circumnavigate the globe in eighty train journeys, she was met with wide-eyed disbelief.
From the author of Around India in 80 Trains comes another witty and irreverent look at the world and a celebration of the glory of train travel. Rajesh offers a wonderfully vivid account of life, history and culture in a book that will make you laugh out loud — and reflect on what it means to be a global citizen — as you whirl around the world in its pages. Monisha Rajesh is a British journalist whose writing has appeared in Time magazine, the New York Times, the Guardian and the Sunday Telegraph, in which she wrote a column about her journey around the world.
Born in Norfolk and mostly raised in Yorkshire — with a brief stint in Madras — she currently lives in London with her husband and daughter. From its earliest beginnings in the 7th century, Venice has been a magnetic centre of trade and culture, wealth and power and has acted as a crossroads for an array of religious pilgrims and refugees, diplomats, crusading armies and merchants. Later, its fabled beauty and reputation as a haven for freedom of expression seduced some of the most celebrated figures in history: artists such as Durer, Bellini and Turner; writers Dickens, Byron, Kafka, Poe, Rousseau, Thomas Mann, Ruskin and Ezra Pound and composers Mozart, Tchaikovsky, Verdi and Stravinsky.
She divides her time between Venice and London. This book is a cultural history of Tangier, something not done before. Tangier is perennially fascinating and experiencing a major renaissance. In this strikingly original debut, Lamorna Ash weaves a deeply discerning tapestry of the lives of people in the Cornish fishing village of Newlyn. There are some places that leave an indelible impression on our lives. For Lamorna Ash, this place was Newlyn. Remember that this cannot and must not be the end of your time in Newlyn. From the fish riots with St Ives of , to the Penlee lifeboat disaster of and onwards towards the unknown territories that Brexit and increasing political instabilities might bring to the village.
But at its very heart, this book is a celebration of the spirited and resilient people of Newlyn; a self-sustaining world made rich with stories, with history, with life. She has worked as an intern for the Times Literary Supplement, writing reviews of theatre, of memoirs about freshwater mussels and science fiction novels, as well as articles about Cornwall, Soviet movie posters, Joseph Conrad cycle tours of London and all manner of other strange subjects.
At Sea is her first book. Some things in life are too serious to joke about. Assisted dying is not one of them. In Susie Kennaway asked her son Guy to kill her. The son immediately started taking notes and Time to Go is the result. In turns a manual for those considering the benefits of assisted dying, a portrait of a mother son relationship, and a sympathetic description of old age, this book is a route map through the moral, legal, emotional, intellectual and practical maze that is the biggest issue facing the senior generations today: leaving life on their own terms.
Many elderly people, like Susie, have clearly stated that they wish to die in a manner and time of their choosing. But the church, the law, the medical profession and the pharmaceutical industry stand in the way, wagging their fingers. A change is coming for the rights of the elderly, the way it has come for the rights of women and gay people.
Time to Go is a rallying call in this fight. Life is too precious not to be lived properly. Guy Kennaway lives for pleasure, producing books only when all else has failed. He is best known for One People about a Jamaican village threatened my mass US tourism, and Bird Brain about a community of optimistic pheasants. He has written for magazines and newspapers, as well as many film scripts and TV adaptations, none of which have been made.
Not surprisingly he lives alone. The story of an epic life, and the story of century told through one of its most important artists, The Life of Lucian Freud is a landmark not simply in the story of its subject but in the art of biography itself. Lucian Freud — is one of the great painters of the twentieth and twenty-first centuries. Though ferociously private, he spoke on the phone for at least an hour a day for many years to his close confidante and collaborator William Feaver — about painting and the art world, but also about his life and loves.
Feaver wrote down their conversations immediately and typed up his hand-written account the next day. A passionate and often destructive lover, with swathes of admirers both male and female, the young Freud blazes on the page, tearing like a comet through post-war bohemian London. William Feaver is a painter, curator and author, and has been the art critic for the Observer for 23 years. His books include Lucian Freud and Frank Auerbach He has sat, weekly, for Frank Auerbach since A definitive biography of Sylvia Pankhurst, lifelong political rebel and human-rights champion, published a century after British women got the vote.
Starting out as an Edwardian suffragette, Sylvia Pankhurst became a modern radical feminist. And she wrote about it all, prolifically. Sylvia was the suffragette who converted her experiences of torture, imprisonment and multiple forms of external physical violence into a lifelong quest to champion human rights. She lives in Gloucestershire. James Hansen the single most credible scientific voice worldwide on the issue of global warming. In his celebrated first book, Storms of My Grandchildren, he presented the full truth about climate change, a truth born out in the years since as climate disasters continue to ravage our world.
The urgency is apparent; the response so far, inadequate. But Hansen remains an optimist. What can be done to preserve our planet for the young people who will follow us? His background in space and earth sciences allows a broad perspective on the status and prospects of our home planet. He is the author of Storms of My Grandchildren. Holding her first grandchild in her arms in , Mary Robinson was struck by the uncertainty of the world he had been born into. Before his fiftieth birthday, he would share the planet with more than nine billion people — people battling for food, water, and shelter in an increasingly volatile climate.
The faceless, shadowy menace of climate change had become, in an instant, deeply personal. From Sharon Hanshaw, the Mississippi matriarch whose campaign began in her East Biloxi hair salon and culminated in her speaking at the United Nations, to Constance Okollet, a small farmer who transformed the fortunes of her ailing community in rural Uganda, Robinson met with ordinary people whose resilience and ingenuity had already unlocked extraordinary change.
Powerful and deeply humane, Climate Justice is a stirring manifesto on one of the most pressing humanitarian issues of our time, and a lucid, affirmative, and well-argued case for hope. In , she was awarded the U. Presidential Medal of Freedom. For the last three billion years or so, life on Earth has been shaped by natural forces. Evolution happens slowly, with species crafted by natural selection across millennia. We are now living through the post-natural phase, where the fate of all living things is irrevocably intertwined with our own.
We domesticated animals to suit our needs, and altered their DNA — wolves became dogs to help us hunt, junglefowl became chickens to provide us with eggs, wildebeest were transformed through breeding into golden gnus so rifle-clad tourists had something to shoot. And this was only the beginning.
The breakthroughs continue. Now the world is warming, the ice caps are melting and sea levels are rising. In her post-natural history guide, she invites us to meet key species that have been sculpted by humanity, as well as the researchers and conservationists who create, manage and tend to these post-natural creations. Helen Pilcher is a professional science writer with a PhD in stem cell biology and years of stand-up comedy under her belt. Helen has worked as a freelance science writer and communicator for the last 12 years.
At the scale of atoms and molecules, things quite often like to stick together. This force keeps our cars on the road, trains on the tracks and our feet on the ground; similarly, anything moving through water or air encounters drag, a force caused by the viscous nature of fluids. But what do we actually know about the physics of stickiness? In Sticky, physicist Laurie Winkless brings the amazing world of surface science to the popular science market for the first time. Using her characteristic fun and relaxed tone, she introduces readers to the glues, adhesives and textures that rule and improve stickiness to give plants and animals an advantage, as well as uncovering the physics behind our sense of touch.
Sticky also shows how our understanding of slipperiness opened the door to high-speed flight and space travel, and asks why friction and other surface interactions can cause machinery to literally grind to a halt. This is fundamentally a materials science book, but it touches on topics as broad as medicine, robotics and geology. By exploring the tiniest of interactions, Laurie Winkless shows how civilisation owes a great deal to our knowledge of the science of stickiness.
Laurie Winkless is a physicist and science writer. She is an experienced science communicator, who loves to talk about science in all forms of media — print, online, radio or in front of the camera. Shakespeare found 74 different ways to kill off his characters, and audiences today still enjoy the same reactions — shock, sadness, fear — that they did over years ago when these plays were first performed.
But how realistic are these deaths, and did Shakespeare have the science to back them up? Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theatre was a fairly likely scenario. The human body, its construction and how it was affected by disease came under scrutiny, overturning more than a thousand years of received Greek wisdom, and Shakespeare himself hinted at these new scientific discoveries and medical advances in his writing, such as circulation of the blood and treatments for syphilis.
Kathryn Harkup, best-selling author of A is for Arsenic will now turns her expertise to Shakespeare and the varied and creative methods he used to kill off his characters. Is death by snakebite really as serene as Shakespeare makes out? How can Juliet appear dead for 72 hours only to revive in perfect health? Can you really kill someone by pouring poison in their ear? Readers will find out exactly how all the iconic death scenes that have thrilled audiences for centuries would play out in real life. Kathryn Harkup is a chemist and author. Kathryn completed a doctorate on her favourite chemicals, phosphines, and went on to further postdoctoral research before realising that talking, writing and demonstrating science appealed a bit more than hours slaving over a hot fume-hood.
She gives regular public talks on the disgusting and dangerous side of science. The ageing of the world population is one of the most important issues facing humanity in the 21st century — up there with climate change in its potential global impact. Sometime before , the number of people over 65 worldwide will, for the first time, be greater than the number of 0—4 year olds, and it will keep on rising.
The strains this is causing on society are already evident as health and social services everywhere struggle to cope with the care needs of the elderly. But why and how do we age? Scientists have been asking this question for centuries, yet there is still no agreement. There are myriad competing theories, from the idea that our bodies simply wear out with the rough and tumble of living, like well-worn shoes or a rusting car, to the belief that ageing and death are genetically programmed and controlled.
She focuses inward — on what is going on in our bodies at the most basic level of the cells and genes as the years pass — to look for answers to why and how our skin wrinkles with age, our wounds take much longer to heal than they did when we were kids, and why words escape us at crucial moments in conversation. This book explores these questions and many others through interviews with key scientists in the field of gerontology and with people who have interesting and important stories to tell about their personal experiences of ageing.
Sue Armstrong is a science writer and broadcaster based in Edinburgh. Sue has been a presenter, writer and researcher in several major documentaries for BBC Radio 4; programmes have focused on the biology of ageing, drug addiction, alcoholism, obesity, AIDS, cancer and stress. Forty years ago, a group of scientists, artists and writers gathered in a house in Ithaca, New York to work on the most important compilation ever conceived. During the design phase of the Voyager mission, it was realised that this pair of plucky probes would eventually leave our solar system to drift forever in the unimaginable void of interstellar space.
With this gloomysounding outcome in mind, NASA decided to do something optimistic. They commissioned astronomer Carl Sagan to create a message to be fixed to the side of Voyager 1 and 2 — a plaque, a calling card, a handshake to any passing alien that might one day chance upon them. Jonathan Scott is a music writer and self-confessed astronomy geek. What happened to the air we breathe? Sustainability journalist Tim Smedley has travelled the world to try and find the answer, visiting cities at the forefront of the fight against air pollution, including Delhi, Beijing, London and Paris. With insights from the scientists and politicians leading the battle against it, and people whose lives have been affected by it, Clearing the Air tells the full story of air pollution for the first time: what it is, which pollutants are harmful, where they come from and — most importantly — what we can do about them.
Air pollution is a problem that can be solved. The stories uncovered on this journey show us how. Clearing the Air is essential reading for anyone who cares about the air they breathe. And this much becomes clear: in the fight against air pollution, we all have a part to play. The fightback has begun. After ten years in London — first as a business journalist, latterly as a freelancer writer covering the environment — he left in , fleeing the polluted streets for Oxfordshire where he is now based.
Creating an element is no easy feat. Welcome to the world of the superheavy elements: a realm where scientists use giant machines and spend years trying to make a single atom of mysterious artefacts that have never existed on Earth.
From the first elements past uranium and their role in the atomic bomb to the latest discoveries stretching our chemical world, Superheavy will reveal the hidden stories lurking at the edges of the periodic table. Why did the US Air Force fly planes into mushroom clouds? Who won the transfermium wars? How did an earthquake help give Japan its first element? And what happened when Superman almost spilled nuclear secrets?
In a globe-trotting adventure that stretches from the United States to Russia, Sweden to Australia, Superheavy is your guide to the amazing science filling in the missing pieces of the periodic table. Kit Chapman is an award-winning science journalist and broadcaster. Does an authentic Andy Warhol painting need to be painted by Andy Warhol? Why do audiences feel outraged when they find out that scenes from their beloved blockbuster documentaries are staged?
Can people move past assuming that a diamond grown in a lab is a fake? What happens when a forged painting or manuscript becomes more valuable than its original? This is a book about genuine fakes — the curious and complex objects that provoke these very sorts of questions. Genuine fakes fall in between things that are real and things that are not; whether or not we think that those things are authentic is a matter of perspective. Unsurprisingly, the world is full of genuine fakes — full of things that defy simple categorization. From stories of audacious forgeries to feats of technological innovation, historian Lydia Pyne explores how the authenticity of eight genuine fakes depends on their unique combinations of history, science and culture.
The stories of art forgeries, fake fossils, nature documentaries, synthetic flavours, museum exhibits, Maya codices and Palaeolithic replicas shows that genuine fakes are complicated and change over time.
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Drawing from historical archives, interviews, museum exhibits, science fiction as well as her own research, Pyne brings each genuine fake to life through unexpected and often outrageous stories. Genuine Fakes will make readers think about all the unreal things that they encounter in their daily lives and why they invoke the reactions — surprise, wonder, understanding or annoyance — that they do.
Lydia Pyne is a writer and historian, interested in the history of science and material culture. She has degrees in history and anthropology and a PhD in history and philosophy of science from Arizona State University, and is currently a visiting researcher at the Institute for Historical Studies at the University of Texas at Austin.
What will happen if perhaps when humanity makes contact with another civilisation on a different planet? Some of these include: How easy will it be to detect a signal from another world? Have anthropologists fully explored what the consequences of contact with an extraterrestrial civilisation would be? Should we be beaming messages into space for extraterrestrial life to detect, and are there any dangers in doing so?
Across eight wide-ranging chapters, The Contact Paradox examines these topics and many others, portraying the thoughts and opinions of many SETI researchers, astronomers, historians, evolutionary biologists, anthropologists and philosophers. It takes a rigorous approach to the scientific literature and uncovers the real stories behind the science, with one eye on the great METI Messaging Extraterrestrial Intelligence debate. This is the controversial plan to beam messages into space for extraterrestrial life to detect and respond to.
Is conducting such activity safe, or do we risk provoking an alien species that we know nothing about? And who exactly speaks for Earth? Our perception of the Neanderthals has undergone a metamorphosis since their discovery years ago, from the losers of the human family tree to A-list hominins. Spanning scientific curiosity and popular cultural fascination means that there is a wealth of coverage in the media and beyond — but do we get the whole story? The reality of 21st century Neanderthals is complex and fascinating, yet remains virtually unknown and inaccessible outside the scientific literature.
I am not scared of trying new things and living my life to the fullest. I have lived in California, China and Denmark but missed Slovakia too much and decided to return. When Maria approached me with the idea to join her in blogging, my response was Hell Yeah! Our webpage gets better and better also thanks to people who voluntarily like to help us with their writing, photography, video skills and various tips.
We are happy and very grateful that these fantastic people have become part of our team:. Evka is kind of a hedonist. Simply loves those lazy Saturdays when you go just for an afternoon coffee with friends and all of a sudden you find yourself in a film club or a gallery, and go home after midnight with an empty wallet but a happy belly filled with good dinner or some nice drinks. She lives in Bratislava for more than 8 years now, so already having some favorite places there. But it always cheers her up when some new spots are opened and the last few years there have been so many that still need to be explored!
Writing for WelcomeToBratislava helps her to pretend that all the hedonist things she does are for a sake of something higher — to help visitors see how cool Bratislava can be if you know where to go! For Nika, Bratislava is her real home since she grew up here. So after the high school she decided to turn her passion into reality and currently Nika is studying Tourism management in Denmark. She had a chance to live in Italy for 3 months where she felt in love with their cuisine and culture.
Travelling and getting to know another people as well as their culture is what she loves the most. Her dream is to help Bratislava to be recognized among tourists, and she believes that by writing for WelcomeToBratislava her dream might come true. She originally comes from Long Beach and has background in the gastro world having managed teams in some of the best restaurants in California.
She likes to discover new places and those in our capital are not any exception. Being part of our team and contributing with writing makes her feel more connected to the city. She enjoys exploring local pubs and cosy gems and brings an exciting kind of variety to our project. Natasha which is a short name for Natalia is a professional pastry chef, an amateur photographer and food stylist, and as she says — just a simple Russian girl. Her love story with Bratislava started in with her first catholic Christmas: markets, sightseeing and romantic evening walks with her husband-to-be who is, naturally, Slovak.
Eventually she started exploring the city and the whole country, learned Slovak and got some new hobbies such as video making. Besides making videos and taking photographs she occasionally writes and is up for anything that can teach her more about Slovakia, its people and traditions. He likes to walk around and look for iconic places — there is still so much to discover! Radka is a very enthusiastic person who loves to hang out with friends and meet new people. She is originally from eastern Slovakia but moved to Bratislava to study journalism and work.